Intro: HUMANS NATURALLY STRIVE TO DO BETTER. WE ALL WANT TO BE THE BEST POSSIBLE VERSIONS OF OURSELVES. GETTING THERE JUST REQUIRES A LITTLE WORK. IF YOU WANT TO BE A BETTER STUDENT, EMPLOYEE, MOTHER, DAUGHTER OR SIGNIFICANT OTHER YOU CAN BE, AND HOPEFULLY I CAN HELP. WHILE I’M NO EXPERT, I AM PRETTY GOOD AT FINDING PEOPLE WHO ARE EXPERTS AND GETTING THEIR ADVICE. THAT’S WHAT I HOPE TO DO OVER THE NEXT NINE WEEKS, WITH A SERIES OF BLOG POSTS ALL ON THE SUBJECT OF “HOW TO BE BETTER.”
With the quality of phone cameras these days, everyone can be a photographer. It no longer matters whether or not you have the best gear, the most expensive lenses or the nicest lighting. An iPhone and a modicum of skill are all it takes now. However, there is still a difference between the professionals and the amateurs. All it takes to cross over is a little knowledge of composition and a lot of practice. There are no fixed rules in photography, but there are guidelines which can often help you to enhance the impact of your photos.
1. Know the rule of thirds
Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect. Doing so will add balance and interest to your photo.
2. understand balance
Placing your main subject off-centre, as with the rule of thirds, creates a more interesting photo, but it can leave a void in the scene which can make it feel empty. You should balance the “weight” of your subject by including another object of lesser importance to fill the space.
3. Follow the lines
When we look at a photo our eye is naturally drawn along lines. By thinking about how you place lines in your composition, you can affect the way we view the image, pulling us into the picture, towards the subject, or on a journey “through” the scene.
4. Look for symmetry and patterns
We are surrounded by symmetry and patterns, both natural and man-made., They can make for very eye-catching compositions, particularly in situations where they are not expected. Another great way to use them is to break the symmetry or pattern in some way, introducing tension and a focal point to the scene.
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